Friday, December 31, 2010

Female Rage Against the Machine: Venerable Obstetrics Textbook Takes a Hit


You can't help but love the Index entry on p. 1116:

...
Chancroid, 752
Chauvinism, male, voluminous amount, 1-1102
Chemotherapy, See Antibiotics
...

Talk about cross and "crossed" cultures, a female typesetter strikes back at the traditional male bastion of Ob-Gyn. Think she kept her job ?

As pointed out by my daughter below, this has been documented in Kahn's Bearing Meaning: The Language of Birth (Univ. Illinois Press, 1995), pp. 201-202.

Wednesday, December 29, 2010

Marie Antoinette Catches a Glimpse of Sofia Coppola


Besides the fabulous clanging guitar sounds of "Ceremony," original instrumental by Manchester post-punk band Joy Division (later morphed into New Order after Ian Curtis suicide), during Marie's birthday party, for me the most memorable moment of Sofia Coppola's 2006 film Marie Antoinette, was the sneakers. In the best tradition of post-modern literature, the author (director) enters the book (film), and manipulates the action, rearranges the deck chairs, if you will. This is exploited to its maximum effect in Martin Amis' novel London Fields, in which the narrator (author?) enters the story at the last minute and is accessory to a murder. Sofia plays the same omnipotent role by inserting a pair of purple Converse sneakers amongst Marie's shoe wardrobe, clearly visible while she is deciding on her best footwear for the Masquerade Ball. We can only guess that Marie Antoinette caught a peripheral glimpse of those sneakers through some kind of post-modern wormhole !

Sofia Coppola set out to debunk a prevailing propaganda that fed on rumors of MA's attitudes toward the peasants. Whether the film was successful in that regard is unclear. What is true is that just like today's celebrities, the media and PR tend to make these individuals larger than life forcing them to adapt to their fame in a very post-modern sort of way. This highly stylistic film (weak on substance, disregards that MA had a 2nd daughter) has a post-modern flavor (reminiscent of Miloš Forman's Amadeus) throughout with the music, hyper materialism, disregard of accents, and vernacular phraseology. At one point the duchesse de Polignac (Rose Byrne) says to a wigged fellow at the 18th Birthday Party, "I love your hair...what's going on there ?" This is just so not circa-1773-speak ! "Ceremony" plays in the background (more like the foreground). This song is all over YouTube (search "Ceremony Marie Antoinette"). Comments on YouTube reveal that many played the song at their weddings - lyrics below.


"Ceremony"

This is why events unnerve me,
They find it all, a different story,
Notice whom for wheels are turning,
Turn again and turn towards this time,

All she ask's the strength to hold me,
Then again the same old story,
World will travel, oh so quickly,
Travel first and lean towards this time.

Oh, I'll break them down, no mercy shown,
Heaven knows, it's got to be this time,
Watching her, these things she said,
The times she cried,
Too frail to wake this time.

Oh I'll break them down, no mercy shown
Heaven knows, it's got to be this time,
Avenues all lined with trees,
Picture me and then you start watching,
Watching forever, forever,
Watching love grow, forever,
Letting me know, forever.

Kanye's ubi sunt Moment: Roald Dahl




You gotta be impressed with Kanye West when he starts his new album My Beautiful Dark Twisted Fantasy with an opening lyric that is a play on Roald Dahl's poetic rework of the Cinderella fable. You could call it his ubi sunt epiphany. Nicki Minaj does the voice over in an English accent:

You might think you've peeped the scene
you haven't
The real ones far too mean
The watered down one
The one you know
Was made up centuries ago
It made it sound all wack and corny
Yes, it's awful, blasted boring
Twisted fiction
Sick addiction
Well gather round children
Zip it listen!

Compare with Cinderella:
I guess you think you know this story.
You don't. The real one's much more gory.
The phoney one, the one you know,
Was cooked up years and years ago,
And made to sound all soft and sappy
just to keep the children happy.
Mind you, they got the first bit right,
The bit where, in the dead of night,
The Ugly Sisters, jewels and all,
Departed for the Palace Ball,
While darling little Cinderella
Was locked up in a slimy cellar,
Where rats who wanted things to eat,
Began to nibble at her feet.

Of course this has been done before. Let's look at a famous novel, Yellow Dog, by the acknowledged heavyweight of modern British literature, Martin Amis. The opening lines are:

But I go to Hollywood but I go to hospital,
but you are first but you are last,
but he is tall but she is small,
but you stay up but you go down,
but we are rich but we are poor,
but they find peace but they find.....

The reader is expected to supply the missing word "war." Now Compare Charles Dickens' A Tale of Two Cities:

It was the best of times,
it was the worst of times,
it was the age of wisdom...