This blog examines how disparate cultures collide, cross pollinate, enervate, and synthesize new cultures. Extraordinary and fresh innovation and ideation often occur at the intersection of traditionally orthogonal disciplines, be they music, literature, architecture, advertising and other forms of media.
Thursday, July 14, 2016
Wenders' Wrong Move (1975) Turns Goethe's Wilhelm Meister's Apprenticeship on it's Head
The Wrong Move is a 1975 German road movie directed by Wim Wenders. This was the second part of Wenders' "Road Movie trilogy" which included Alice in the Cities (1974) and Kings of the Road (1976). With long carefully composed shots characteristic of Wenders' work, the story follows the wanderings of an aspiring young writer, Wilhelm Meister, as he explores his native country, encounters its people and starts defining his vocation. His thoughts are occasionally presented in voice-over. The work is a rough adaption of Johann Wolfgang von Goethe's novel Wilhelm Meister's Apprenticeship, an early example of the Bildungsroman or novel of initiation.
According to Wenders, although Wrong Move is based on Wilhelm Meister's Apprenticeship, screenwriter Peter Handke did not use any of the book’s dialogue and incorporated a minimal amount of its action, mainly borrowing its concept of a young man "on a journey of self-realization." Wenders also toyed with the idea of whether such a journey would be a mistake, and hence Handke and Wenders made the film as a refutation of Goethe's novel and German Romanticism, in which their character suffers because of his travels.
The film marks the debut of Nastassja Kinski, who Wenders' wife discovered in a disco in Munich. She appeared topless in Wrong Move and was 12 years old at the time of filming. Later, she played one of the leading roles in Wenders' film Paris, Texas (1984), as well as appearing in his Faraway, So Close (1993).
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