Happy Together Characters are Not Even Close

 

Typical of Wong Kar-Wai's films, this film (1997) lacks any real narrative beyond a gay pre-handover Hong Kong couple seeking to invigorate and renew their rocky relationship with a vacation to Iguassu Falls in Argentina.  Ho Po-Wing (Leslie Cheung, poster left) and Lai Yiu-fai (Tony Leung, narrator, poster right) exhibit a pattern of abuse followed by break-ups and reconciliations.  Ho is self destructive and cannot maintain a monogamous relationship.  Unfortunately, they run out of money and cannot return, getting odd jobs in Buenos Aires.  The Turtles' classic 1967 "Happy Together" plays over the credits, covered by Danny Chung.  Clearly the title is sarcastic at best.  But it has another meaning.

 

We learn later that Lai had stolen money from his father to finance the trip.  He writes his father to pay it back.  These acts of reconciliation between past acts and the present time underpin the second meaning of Happy Together. 

 

Ultimately, Lai visits the waterfalls before returning to Hong Kong. The opportunity to renew their love in an exotic local is a youthful fallacy.  Stephen Holder (NYT, 10/10/97) observes that Elizabeth Hardwick in her book Sleepless Nights, opined "When you travel, your first discovery is that you do not exist."  The movie is pervaded by the sense of isolation when you travel.  At one point Lai narrates "I understand he can be running around because he has a place he can return to," in regards to his friend Chang.  The implication is that Ho and Lai do not.

Haïti and Zaïre linked in Peck's Lumumba

 

Haïti and Zaïre share more than an umlaut.  They share a common language and a long history of suffering under sovereignty.  Specifically, they share Raoul Peck, a Haïtian director of the Belgian film Lumumba (2000), featuring the 2 month reign of Patrice Lumumba, before he was "disappeared" by the CIA.  It was filmed in Zimbabwe and Beira, Mozambique.  Lumumba's comrade-in-arms, Mobutu, would take over and rechristen the DRC as Zaïre.

 

Apparently, the Belgian Congo and subsequent Democratic Republic of the Congo felt it would be a wise decision to recruit French-speaking professionals from Haïti, since the Belgians had done little to create leadership from within the Congo native population.  Born in Port-au-Prince in 1953, Raoul joined his father in Léopoldville at 8 years of age, shortly after independence in June, 1960.  Peck attended schools in the DRC (Léopoldville), in the United States (Brooklyn), and in France (Orléans), where he earned a baccalaureate, before studying industrial engineering and economics at Berlin's Humboldt University. He spent a year as a New York City taxi driver and worked (1980–85) as a journalist and photographer before attending and receiving a film degree (1988) from the German Film and Television Academy Berlin (DFFB) in West Berlin.

 

Watching the film, I could not get over parallels between Lumumba and Aristide, both popularly elected and at odds with the U.S.

Heavenly Voices Eerily Similar in Chinese, Indian films

These are two profoundly beautiful films with truly extraordinary soundtracks.  Celebrated Director Zhang Yimou's  Flowers of War (2012) features lyrical coloratura soprano Chen Xiaoduo and the Allmänna Sången Choir (founded in 1830 in Uppsala, Sweden) in a song called "Heavenly Voice."  Listen to it here.  Danny Boyle's Slumdog Millionaire (2009) featured India's top female vocalist Suzanne D'Mello on Latika's Theme.  Though structurally different, these two theme songs are eerily resonant.

California Dreamin' Informs Chungking Express

The Mamas & the Papas classic song California Dreamin' resonates in Hong Kong director Wong Kar-wai's film Chungking Express (1994).  WKW was heavily influenced by French New Wave (Truffaut, Godard, Rohmer, etc.) and it shows in the free form disregard for plot structure of his oeuvre and the emphasis of style over psychology.  This film, in the form of a diptych (two stories) filmed entirely within the claustrophobic confines of Hong Kong's infamous city-within-a-building housing debacle, Chungking Mansions (built in 1961) stars the Garboesque Brigitte Lin (who retired after this film) and Faye Wong (her first film, now a HK pop music star) who "performs" (her arms flailing behind the counter of the Midnight Express takeaway bar) a Cantonese cover version of The Cranberries' Dream.  The frequent pop culture references are reminiscent of the short stories of Japanese writer Haruki Murakami.  California Dreamin' is recognizable to  a global audience and commoditized as such.  Even the Del Monte pineapple tins are exemplars of American culture.

The film is about alienation and loneliness, paradoxical in that 4,000 tenants are crammed into the residence.